{"id":5816,"date":"2014-02-11T09:35:18","date_gmt":"2014-02-11T08:35:18","guid":{"rendered":"http:\/\/textundblog.de\/?p=5816"},"modified":"2014-02-15T21:21:22","modified_gmt":"2014-02-15T20:21:22","slug":"berlinale-entdeckung-alonso-ruizpalacios-gueeros","status":"publish","type":"post","link":"https:\/\/textundblog.de\/?p=5816","title":{"rendered":"Berlinale-Entdeckung: Alonso Ruizpalacios \u2013 G\u00fceros"},"content":{"rendered":"<p>Nach 20 gesehen Filmen hat mich bislang <a href=\"http:\/\/www.berlinale.de\/de\/programm\/berlinale_programm\/datenblatt.php?film_id=20142287\">G\u00fceros<\/a> (Inhalt &#038; Fotos) des mexikanischen Regisseurs Alonso Ruizpalacios am meisten beeindruckt. Eine Mischung aus Nouvelle Vague und Down by Law in schwarz-wei\u00df gedreht. Hier ein Bericht \u00fcber die Dreharbeiten.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/B8a4Sahw1H4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Das sind die Art Filme, f\u00fcr die es sich lohnt, all die Strapazen der Berlinale (mit stundenlangem Anstehen in de K\u00e4lte f\u00fcr Karten und st\u00e4ndigem Schlafmangel) auf sich zu nehmen. Und dem Film sowie dem an gutem Kino interessierten Publikum ist es zu w\u00fcnschen, dass er es auch danach in unsere Kinos schafft.<\/p>\n<p>Hier ein Foto des Regisseurs Alonso Ruizpalacios, dessen Name man sich getrost merken darf, mit Teilen seines Teams bei der Premiere im Panorama der Berlinale:<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"es\" dir=\"ltr\">En la <a href=\"https:\/\/twitter.com\/hashtag\/Berlinale?src=hash&amp;ref_src=twsrc%5Etfw\">#Berlinale<\/a> se present\u00f3 una peli mexicana muy buena, <a href=\"https:\/\/twitter.com\/hashtag\/G%C3%BCeros?src=hash&amp;ref_src=twsrc%5Etfw\">#G\u00fceros<\/a>, de Alonso Ruizpalacios (centro). No dejen de verla <a href=\"http:\/\/t.co\/bnySYswDP5\">pic.twitter.com\/bnySYswDP5<\/a><\/p>\n<p>&mdash; Y??tzin (@YaotzinBerlin) <a href=\"https:\/\/twitter.com\/YaotzinBerlin\/status\/431915452395438080?ref_src=twsrc%5Etfw\">February 7, 2014<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong>Update 15.2.2014:<\/strong> Es freut mich, dass die Berlinale-Jury meine Einsch\u00e4tzung teilt, dass G\u00fceros eine Entdeckung ist. Heute Abend wurde der Film als <a href=\"http:\/\/www.berlinale.de\/de\/das_festival\/preise_und_juries\/best_first_feature_award\/index.html\">Bester Erstlingsfilm<\/a> des Festivals ausgezeichnet.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nach 20 gesehen Filmen hat mich bislang G\u00fceros (Inhalt &#038; Fotos) des mexikanischen Regisseurs Alonso Ruizpalacios am meisten beeindruckt. Eine Mischung aus Nouvelle Vague und Down by Law in schwarz-wei\u00df gedreht. Hier ein Bericht \u00fcber die Dreharbeiten. Das sind die Art Filme, f\u00fcr die es sich lohnt, all die Strapazen der Berlinale (mit stundenlangem Anstehen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,8],"tags":[],"class_list":["post-5816","post","type-post","status-publish","format-standard","hentry","category-kino","category-spanisch"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4uzZ-1vO","jetpack-related-posts":[{"id":5824,"url":"https:\/\/textundblog.de\/?p=5824","url_meta":{"origin":5816,"position":0},"title":"Berlinale 2014 &#8211; Von sprachlos machenden Filmen, hoch Porn\u00f6sem &#038; einer Entdeckung aus Brasilien","author":"Markus","date":"1\/3\/2014","format":false,"excerpt":"Meine 19. Berlinale war vielleicht die anstrengendste. Und das nicht, weil ich w\u00e4hrend des Festivals auch noch 2 Tage Masterstudium zu absolvieren hatte. Nein, wegen des t\u00e4glichen Anstehens am fr\u00fchen Morgen (90-120 Min., davon den gr\u00f6\u00dften Teil auf der Stra\u00dfe und somit in der K\u00e4lte) f\u00fcr die Karten des Folgetages,\u2026","rel":"","context":"In &quot;Kino&quot;","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/ma-nordbahnhof2-kl.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10680,"url":"https:\/\/textundblog.de\/?p=10680","url_meta":{"origin":5816,"position":1},"title":"Festivalbericht Berlinale 2024","author":"Markus","date":"3\/3\/2024","format":false,"excerpt":"Bei meiner 28. Berlinale - ich besuche das Festival seit 1995 und hab es seither nur zwei Mal ausgelassen - hab ich wie immer versucht, so viele Filme wie m\u00f6glich zu sehen. Bei insgesamt 41 Filmen hab ich in den \u00fcber die Hauptstadt verstreuten Kinos gesessen und wieder einmal sehr\u2026","rel":"","context":"In &quot;Kino&quot;","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/theoutrun.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/theoutrun.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/theoutrun.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2043,"url":"https:\/\/textundblog.de\/?p=2043","url_meta":{"origin":5816,"position":2},"title":"Das letzte Drehbuch &#8211; Erinnerungen an Luis Bu\u00f1uel","author":"Markus","date":"18\/2\/2008","format":false,"excerpt":"Javier Espada und Gaizka Urresti haben auf der Berlinale einen noch nicht ganz fertigen Dokumentarfilm \u00fcber Luis Bu\u00f1uel vorgestellt, in dem sich Bu\u00f1uels Sohn Juan Luis gemeinsam mit Bu\u00f1uels Drehbuchautor und Freund Jean-Claude Carri\u00e8re auf die Suche nach Leben und Werk des Regisseurs machen, \u00fcber dessen mexikanische Filme ich meine\u2026","rel":"","context":"In &quot;Kino&quot;","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"Jean-Claude Carri\u00e8re (links) und Bu\u00f1uels Sohn Juan Luis Bu\u00f1uel  \u00a9 ZDF \/ Javier Espada \/ MilColores Media","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/elultimoguion.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1439,"url":"https:\/\/textundblog.de\/?p=1439","url_meta":{"origin":5816,"position":3},"title":"An der Berlinale-Stimmung teilhaben","author":"Markus","date":"11\/2\/2007","format":false,"excerpt":"Ein bisschen am Berlinale-Fieber partizipieren, ohne auf dem Festival zu sein? Geht das \u00fcberhaupt? Ja, das geht. Nat\u00fcrlich durch die Lekt\u00fcre guter Filmblogs (Filmtagebuch, RBB-Berlinale-Blog, Festivalblog [Update 14.2.02: Solange es Menschen gibt, ] und alle anderen) sowie durch die aktuelle TV-Berichterstattung zur Berlinale. Es geht aber auch anders, richtig mit\u2026","rel":"","context":"In &quot;Internet&quot;","block_context":{"text":"Internet","link":"https:\/\/textundblog.de\/?cat=4"},"img":{"alt_text":"Samaria","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/samaria.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5268,"url":"https:\/\/textundblog.de\/?p=5268","url_meta":{"origin":5816,"position":4},"title":"Broken Night: Kurzfilm von Guillermo Arriaga","author":"Markus","date":"21\/2\/2013","format":false,"excerpt":"Ehe ich am Wochenende meinen Berlinale-Bericht schreiben werde, soll es hier ums Kino im Kurzformat gehen. Der mexikanische Regisseur und Drehbuchautor Guillermo Arriaga (der die Drehb\u00fccher von so gro\u00dfartigen Filmen wie Amores Perros oder Babel f\u00fcr Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu geschrieben hat), zeigt in Broken Night sein ganzes K\u00f6nnen: Broken Night,\u2026","rel":"","context":"In &quot;Kino&quot;","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6546,"url":"https:\/\/textundblog.de\/?p=6546","url_meta":{"origin":5816,"position":5},"title":"Festivalbericht 2015: Zehn Film-Tipps von meiner 20. Berlinale","author":"Markus","date":"22\/2\/2015","format":false,"excerpt":"Mein Berlinale-Bericht - wie immer mit einer Woche Abstand zum Gesehenen. So viel Zeit brauche ich zur Verarbeitung der 47 Filme, die ich in 9 Tagen in viel zu kurzer Abfolge gesehen habe. Dies vorneweg: es war bis dato einer der besten Filmjahrg\u00e4nge. Hab viel Gutes \u2013 und vor allem\u2026","rel":"","context":"In &quot;Internet&quot;","block_context":{"text":"Internet","link":"https:\/\/textundblog.de\/?cat=4"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/berlinale-trailer2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/berlinale-trailer2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/berlinale-trailer2015.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/berlinale-trailer2015.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts\/5816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5816"}],"version-history":[{"count":0,"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts\/5816\/revisions"}],"wp:attachment":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}