{"id":520,"date":"2005-08-18T16:40:30","date_gmt":"2005-08-18T14:40:30","guid":{"rendered":"http:\/\/textundblog.de\/?p=520"},"modified":"2005-08-18T16:52:31","modified_gmt":"2005-08-18T14:52:31","slug":"machinima-erreicht-hollywood","status":"publish","type":"post","link":"https:\/\/textundblog.de\/?p=520","title":{"rendered":"Machinima against Daumenkino"},"content":{"rendered":"

Eine neue Form des Filmemachens, genannt Machinima, erobert jetzt auch Hollywood. Der Name setzt sich aus „machine“ und „cinema“ zusammen. Die Filme sind eine Mischung aus traditionellem Storytelling und der Verwendung von Videospielsystemen anstelle menschlicher Schauspieler oder herk\u00f6mmlicher Animationen.<\/p><\/blockquote>\n

aus: „Neue Form des Filmemachens: Machinima erreicht Hollywood<\/a>„, derstandard.at.
\nH\u00f6rt sich zwar interessant an, klingt f\u00fcr mich aber irgendwie abschreckend.
\nWikipedia-Artikel zu Machinima<\/a>.
\nAls Gegenentwurf sei hier noch auf einen Telepolis-Artikel von Karin Wehn und Ingo Linde verlinkt: „Daumenkino, Hommage an eine verkannte Kunstform<\/a>„.<\/p>\n","protected":false},"excerpt":{"rendered":"

Eine neue Form des Filmemachens, genannt Machinima, erobert jetzt auch Hollywood. Der Name setzt sich aus „machine“ und „cinema“ zusammen. Die Filme sind eine Mischung aus traditionellem Storytelling und der Verwendung von Videospielsystemen anstelle menschlicher Schauspieler oder herk\u00f6mmlicher Animationen. aus: „Neue Form des Filmemachens: Machinima erreicht Hollywood„, derstandard.at. H\u00f6rt sich zwar interessant an, klingt f\u00fcr […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,2],"tags":[],"class_list":["post-520","post","type-post","status-publish","format-standard","hentry","category-artikel","category-kino"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4uzZ-8o","jetpack-related-posts":[{"id":7100,"url":"https:\/\/textundblog.de\/?p=7100","url_meta":{"origin":520,"position":0},"title":"Filmemachen lernen bei Werner Herzog: Filmmaking MasterClass","author":"Markus","date":"20\/5\/2016","format":false,"excerpt":"https:\/\/youtu.be\/RFqiy0l5qTg Werner Herzog hat sich das Filmemachen selbst beigebracht. Nun will er sein Wissen teilen. Online, aber nicht umsonst (sondern f\u00fcr 90 U$). Trotzdem wunderbar. Auch wenn daraus keine neue Generation von Filmemachern wie er hervorgehen wird, sicher ein tolles Lehrst\u00fcck f\u00fcr alle am Kino interessierten Menschen. Alles zur Filmmaking\u2026","rel":"","context":"In "Kino"","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"Werner Herzog: Filmmaking Masterclass","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/wernerherzogmasterclass.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/wernerherzogmasterclass.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/wernerherzogmasterclass.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/wernerherzogmasterclass.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4170,"url":"https:\/\/textundblog.de\/?p=4170","url_meta":{"origin":520,"position":1},"title":"brandeins: Das Geheimnis hinter dem Erfolg des Argentinischen Kinos","author":"Markus","date":"15\/6\/2011","format":false,"excerpt":"Wer hier regelm\u00e4\u00dfig mit liest, wei\u00df, wie sehr ich das argentinische Kino mag. Alleine die Filme, die ich letztes Jahr in diesem Artikel vorgestellt hatte, sind es wert, dass man sich n\u00e4her mit dem argentinischen Film befasst. Bei der vergangen Ausgabe des Internationalen Filmfestivals in San Sebasti\u00e1n geh\u00f6rte auch ein\u2026","rel":"","context":"In "Artikel"","block_context":{"text":"Artikel","link":"https:\/\/textundblog.de\/?cat=5"},"img":{"alt_text":"Beispiel f\u00fcr gut gemachtes aktuelles Kino aus Argentinien: La Mirada Invisible","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/lamiradainvisible.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1985,"url":"https:\/\/textundblog.de\/?p=1985","url_meta":{"origin":520,"position":2},"title":"Hurensohn von Michael Sturminger","author":"Markus","date":"7\/1\/2008","format":false,"excerpt":"Aktueller TV-Tipp mit kurzer Vorgeschichte: Eine meiner letzten Arbeiten als freiberuflicher Webdesigner im Saarland hing 2005 mit dem Film \u00abHurensohn\u00bb von Michael Sturminger zusammen. Der Film wird vom Max-Oph\u00fcls-Filmverleih (MOP) vertrieben, f\u00fcr den ich damals eine Webseite erstellt und das Pressematerial f\u00fcr den Film (s. Website) zusammengestellt habe, worauf ich\u2026","rel":"","context":"In "Kino"","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"Szenenfoto aus dem Film 'Hurensohn'","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/hurensohntuer.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":253,"url":"https:\/\/textundblog.de\/?p=253","url_meta":{"origin":520,"position":3},"title":"Digitale Delikatessen","author":"Markus","date":"2\/3\/2005","format":false,"excerpt":"Foto aus dem bulgarischen Film \"Georgi and the Butterflies\" Digitale Delicatessen ist der Titel des telepolis-Artikels von Helmut Merschmann \u00fcber das heute mit dem d\u00e4nischen Film \"The Swenkas\" startende Prestigeprojekt des digitalen Kinos, der \"European DocuZone\". Wirft man einen Blick in die wohl nicht mehr ferne Zukunft des Kinos, dann\u2026","rel":"","context":"In "Kino"","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"Georgi and the Butterflies","src":".\/wp-content\/digitaledelikatessen.jpg","width":350,"height":200},"classes":[]},{"id":2052,"url":"https:\/\/textundblog.de\/?p=2052","url_meta":{"origin":520,"position":4},"title":"Crocodile (Aga-o) auf arte","author":"Markus","date":"22\/2\/2008","format":false,"excerpt":"Kurzfrist-Filmtipp: arte zeigt heute Nacht (ab 0:05 Uhr) den Deb\u00fctfilm des koreanischen Regisseurs Kim Ki-Duk: \u00abCrocodile (Aga-o)\u00bb. Der sozial isolierte Crocodile lebt in Seoul unter einer Br\u00fccke und betreibt ein morbides Gesch\u00e4ft: Er nimmt Selbstm\u00f6rdern vor dem letzten Sprung Geld und Wertsachen ab. Eines Tages jedoch rettet er einem M\u00e4dchen\u2026","rel":"","context":"In "Kino"","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"'Crocodile' (Jo Jae-Hyeon)","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/crocodile.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7276,"url":"https:\/\/textundblog.de\/?p=7276","url_meta":{"origin":520,"position":5},"title":"Die Evolution von Stop-Motion im Kino","author":"Markus","date":"27\/8\/2016","format":false,"excerpt":"Wer hier schon ein bisschen l\u00e4nger mitliest, wei\u00df, dass ich immer mal wieder gerne auf Stop-Motion-Filme hinweise. Nun hat der englische Filmemacher Vugar Efendi \u00fcber 100 Jahre Geschichte der Stop-Motion-Technik im Kino wunderbar zusammengefasst in diesem 3 Minuten dauernden Video: The Evolution of Stop-Motion from Vugar Efendi [via @kinozeit]","rel":"","context":"In "Kino"","block_context":{"text":"Kino","link":"https:\/\/textundblog.de\/?cat=2"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/evo-stop-motion-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/textundblog.de\/wp-content\/evo-stop-motion-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/evo-stop-motion-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/textundblog.de\/wp-content\/evo-stop-motion-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts\/520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=520"}],"version-history":[{"count":0,"href":"https:\/\/textundblog.de\/index.php?rest_route=\/wp\/v2\/posts\/520\/revisions"}],"wp:attachment":[{"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/textundblog.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}