Avast, Me Critics! Ye Kill the Fun: Critics and the Masses Disagree About Film Choices<\/a>\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"A.O. Scott schreibt in der New York Times \u00fcber die Schwierigkeit, die Filmkritiker haben, das Publikum vor richtig schlechten Filmen zu warnen. Er dokumentiert das an aktuellen Kassenerfolgen wie \u00abPirates of the Caribbean\u00bb oder \u00abThe Da Vinci Code\u00bb, allesamt von der Kritik verrissen und nichtsdestotrotz an den Kinokassen ein gro\u00dfer Erfolg: Are we out of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,2],"tags":[],"class_list":["post-1081","post","type-post","status-publish","format-standard","hentry","category-artikel","category-kino"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4uzZ-hr","jetpack-related-posts":[{"id":1181,"url":"https:\/\/textundblog.de\/?p=1181","url_meta":{"origin":1081,"position":0},"title":"Filmstart mit Hindernissen: Idiocracy","author":"Markus","date":"9\/9\/2006","format":false,"excerpt":"In der New York Times schreibt Dan Mitchell heute \u00fcber einen Film, der von der 20th Century Fox zur\u00fcckgehalten werden soll: \u00abIdiocracy\u00bb von Mike Judge. 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Josef Schnelle hei\u00dft der Ignorant, ver\u00f6ffentlicht hat seinen Textausflu\u00df die Berliner Zeitung: Warum wir Filmkritik brauchen - Die Internet-Blogs zersetzen das informierte und unabh\u00e4ngige Urteil. An der\u2026","rel":"","context":"In "Artikel"","block_context":{"text":"Artikel","link":"https:\/\/textundblog.de\/?cat=5"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":7151,"url":"https:\/\/textundblog.de\/?p=7151","url_meta":{"origin":1081,"position":2},"title":"Geniales Portishead-Cover SOS (Abba) endlich online","author":"Markus","date":"22\/6\/2016","format":false,"excerpt":"https:\/\/youtu.be\/WVe-9VWIcCo Auf die Ver\u00f6ffentlichung dieses Songs warte ich schon sehns\u00fcchtig, seit ich ihn letztes Jahr im September auf dem Internationalen Filmfestival in San Sebasti\u00e1n gesehen habe. Ich zitiere aus meinem Festivalbericht: Abschlie\u00dfend m\u00f6chte ich noch eine lobende Erw\u00e4hnung f\u00fcr den besten Soundtrack des Festivals f\u00fcr High Rise aussprechen. 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